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2217 West Braker Lane
Austin, TX 78758 USA
(512) 836-2242
www.highend.com
User Manual
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Page 1 - User Manual

2217 West Braker LaneAustin, TX 78758 USA(512) 836-2242www.highend.comUser Manual

Page 3 - CONTENTS

SET UP PASSCODESYou may set passcodes to protect the Prog/Edit menu, the Setup menu and the Card menu. Thecode to the setup menu is the master and has

Page 4 - Contacting High End Systems

73. Use the numeric key-pad to enter the current 4-digit code. Press YES.4.Now you can proceed to the SetUpmenu and select the passcode option.7.Enter

Page 5 - Warranty Information

81.Press SetUp. Enter the SetUp passcode, ifactive.2. Press ChnName4.Enter or edit the channel name as shownin step 5.NOTE:Channels used by fixtures a

Page 6 - GENERAL PRINCIPLES

9•Press SetUp•Press ChnName•Scroll to a channel and press STORE•Type a name•Press STORE3.Scroll through the channels list, usingthe UP and DOWN butto

Page 7

102.Press Keys.1. Press SetUp. Enter the passcode, if prompted.SET UP KEYS Both the push buttons and the touchkeys may be configured according to the

Page 8

113.Select a group of keys to setup. Scrollthrough the options to make your selection.Repeat this procedure for other groups. PressSTORE and return t

Page 9

5.The Power Cue DMX automatically sug-gests a DMX start address. Press STORE toaccept the suggestion or use the trackball ornumeric keypad to select

Page 10

13When setting up your fixtures you will needto make certain DIP switch selections on thefixture itself. Often there are two DIP switch-es, one for th

Page 11

When you call a group into a scene, all channels will be set at full brightness. Havingcalled the group you can then change the level of individual ch

Page 12

Power Cue DMXTM© 1999 High End Systems, Inc.Power Line2217 West Braker LaneAustin, TX78758 USAwww.highend.com(512) 836-2242QCOMM/ENG/2.00A/02/99

Page 13 - SET UP CHANNEL NAMES

15•Press SetUp•Press Groups•Press button for Group•Select channels to include•Press STORE when finished3.Select the group to setup. NOTE:Setting up o

Page 14 - STORE to select a channel

16SET UP CHANNEL TYPESJust as each channel may be named, it may also be given certain characteristics to determine how it willrespond to a control sig

Page 15 - SET UP KEYS

•OUTPUTOutputs are either LTP, HTP or PERM. A channel can only output one level at any one time. If it receivesmore than one output command, which one

Page 16

SET UP CHANNEL TYPE181. Press SetUp. Enter the setup menu passcode,if prompted.2. Press ChnTyp.

Page 17 - SET UP FIXTURES

19•Press SetUp•Press ChnTyp•Set the attributes•Press STORE3.Scroll to the desired channel and adjust theattributes. Then press ESCAPE. See the notes o

Page 18

SET UP PATCH - THE FADER PANELThe Power Cue DMX allows you to patch various types of effect to an external control device, usually with faders, so tha

Page 19

213.Scroll to one of the 16 available patches. Select the effect TYPE you want to use (scene, chase, et.c.) and then usethe trackball to scroll throug

Page 20 - Select the group to setup

SET UP COMMS.The Power Cue DMX may be set up to communicate using MIDI or RS232, depending on the functionality required.Jumpers on the Power Cue DMX&

Page 21 - The Attributes

23•Press SetUp•Press Comms•Press STORE•Press ESCAPEPosition jumpers as shown to set the Comms. mode for eitherMIDI or RS232.3. Press STORE to initiali

Page 22

PROGRAMMING SCENES - AN OVERVIEWAll output is made from the push buttons and the touchkeys. The object of programming is to createeffects and then to

Page 23 - 2. Press ChnTyp

CONTENTSI. IntroductionII. SetUpIII. ProgrammingIV. Run ModeV. Card MenuVI. AppendicesGeneral PrinciplesFront Panel Layout and FunctionRear Panel Layo

Page 24 - •Press STORE

25•Press Prog/Edit•Press Scene•Select a memory•Press Fixture•Continue overpagepreviously-defined group. The scene is then further defined by giving i

Page 25

PROGRAMMING A SCENE WITH MOVING LIGHTS - CONTINUEDSee notes at the end of this section for more information about 16-bit mirror fades, mirrorlocks, ov

Page 26

27•Select fixtures•Adjust attributes•Press STORE tosave•Continue overpageThe display shows the type of fixture beingused, the attribute currently bein

Page 27 - SET UP COMMS

8.Give the scene a name.Use the alphanumeric keypad to name or re-namea scene, using the yellow legend. One press of thebutton marked ABC will display

Page 28 - •Press ESCAPE

9.The scene was saved in step 7. PressESCAPE now to go back to step 3. and exitto the main menu. Press STORE to go to step 4. and start pro-gramming a

Page 29

SAVEPALET EXPLAINEDSavePalet is used with moving light scene programming to enable you to repeat settings of the various attributes during later progr

Page 30

What Is TRANSPARENCY? How Does OVERLAY work?Overlay allows you to generate scenes where only the channels you choose to use are included in the scene.

Page 31

32PROGRAMMING SCENES USING PRESET FOCUSPreset focuses or position memories allow you to speed up the programming of fixtures intoscenes by linking cha

Page 32

33subsequent selection. An attempt to make a second link will produce the message in the display ‘No linkable channels’. Links cannot apply to transpa

Page 33

AUTO CHECKWhen you set Auto Check to on, as described in the system options section later in this manual, thePower Cue DMX automatically checks for pr

Page 34 - STORE to

© High End Systems, Inc. 1999, All Rights ReservedInformation and specifications in this document are subject to change without notice. High End Syste

Page 35

16 BIT MIRROR FADESWhere the fixture(s) you are programming support 16-bit mirror fades, the Power CueDMX automatically makes this feature available,

Page 36 - •Transparency and

REMOVING CHANNELS FROM A SCENEDuring editing a channel may be removed from a scene (made transparent again) byscrolling to it as in step 5. and then p

Page 37

37•Press Prog/Edit•Press Scene•Select a memory•Press Chans •Select channels•Press STORE3.Scroll up/down the list to find the scene you want. A previou

Page 38

You can add groups into a scene built from individual channels. You can equally wellstart with a group and then add or modify channels. The channels m

Page 39

39•Press Prog/Edit•Press Scene•Select a memory•Press Group •Select Groups•Select level•Press STORE3.Scroll to the desired scene and pressSTORE. If you

Page 40

Remember that an audio input connection is not absolutely necessary. The Power CueDMX is equipped with an internal microphone to run audio functions.

Page 41

41•Press Prog/Edit•Press Scene•Select a memory•Press Attrib •Select Type and attributes•Press STORE3.Scroll to the scene to Prog/Edit andpress STORE.4

Page 42

42COPYING AND CLEARING SCENE MEMORIESExisting scenes may be copied from one location to another from within the scene programming menu.Proceed as foll

Page 43

43•Press Prog/Edit•Press Scene•Press Copy•Select the scene tocopy •Select the newscene memory and pressSTORE 3(a).Press COPY3(b). Scroll to the scene

Page 44

44PROGRAMMING A CHASEScenes made with moving lights may be programmed together into a sequence called a chase. Youcan also make a chase with scenes of

Page 45

Product Modification WarningHigh End Systems products are designed and manufactured to meet the requirements of United States and International safety

Page 46

45•Press Prog/Edit•Press Chase•Select a chase memory•Select a scene for each step. Set step attributes •Press STORE •Name the chase BassBassBassBas

Page 47

46SCENES, CHASES, CHANNELS AND LOOKS ARE LOADED ON TO PUSH- BUTTONS OR TOUCHKEYS FOR PLAYBACK1.Press Prog/Edit2.Press Key

Page 48

47•Press Prog/Edit•Press Key•Select a pushbuttonor touchkey•Select Scene, ChaseChannel or Look•Continue over page3.Press the pushbutton or touchpad yo

Page 49 - PROGRAMMING A CHASE

5(a). Scroll through the scene list and pressSELECTto include in the keylist a zone, asound-to-light scene or a static scene with nofade times. Press

Page 50

5(c).Scroll to any channel. A channel istransparent until you move the trackball. Itis then selected at the level shown. Selectone or several channel

Page 51

By setting up a patch of the appropriate output key, it is possible to patch a show to afader on the Fader Panel.50Find View LevelsCaptureAdjustAdjust

Page 52

51•Press Prog/Edit•Press Show•Choose a Show button•Press RealTime•Record the Show•Press Escape to Stop•Name the Show Choose SHOW pushbuttonChoose SHOW

Page 53

NOTES ON SHOWSUnlike in earlier versions the keyboard is not locked during show playback. A running show is indicatedby its output key LED remaining l

Page 55 - REAL TIME SHOW PROGRAMMING

RUN MODE - GENERALIf the Power Cue DMX is left switched on and menu timers are active, it will default to RUN MODE,as in the drawing under Step 1 belo

Page 56 - 6.Name your show

1GENERAL PRINCIPLESThe Power Cue DMX is designed to control most types of intelligent and generic lighting thatwill be encountered in entertainment ve

Page 57 - DELETING A SHOW

3.The lower list shows all the programmedscenes. The upper list shows the output key locations ofthe selected scene.Press ESCAPE to return to RUNMODE.

Page 58

56VIEWView allows you to see the contents of an output key. The value of this function depends a great deal onthe extent to which you make use of the

Page 59 - RUN MODE - GENERAL

57•Hold View pressed•Press the key toview•Release View when finished3.The display shows the contents of the pressed key.Release VIEW to return to RUN

Page 60

58LEVELSLevels provides an approximate display of channel activity across a range of 20 channels.1. Press Levels2.Display shows levels in any active o

Page 61

59•Press Levels•Press softkey to scroll ± 20 chan-nels

Page 62 - •Release View when

60CAPTURING A LOOKA Look is a snapshot of the outputs at a particular moment in time.While in RUNMODE you might be running a combination of scenes, ch

Page 63

61•Press Capture•Choose an outputkey

Page 64 - •Press softkey to

62ADJUSTAdjust allows you to change the various attributes of programmed effects such as chases or sceneswhile they are running in the outputs.1. Pres

Page 65 - CAPTURING A LOOK

63•Press Adjust•Choose an outputkey•Adjust the attribute•Press Store when finished

Page 66 - •Choose an output

64LIVELive allows you to make changes to the attributes of intelligent fixtures while those fixtures areactive. By selecting, for example, the mirror

Page 67

looks. It may be programmed in real time by storing actual events as they happen. You may subsequently edit thelist of events and their desired run ti

Page 68

65•Press Live•Choose fixture(s)•Choose an attribute•Press Escape when finished3. Select the attribute to adjust. Itbecomes liveon the trackball. Press

Page 69 - 1.Press LIVE

MEMORY CARD TYPEThe Power Cue DMX uses a PC card, Type 1, 512Kb, SRAM. The card is used to perform the following functions:· To store the contents of

Page 70 - •Press Escape when

COPYING DATA FROMTHE CARDPress Restore.1. 'Backup card Found'PressSTORE/YES.2. Note: DO NOT INTERRUPT CARDTRANSFER.'3.'Card transf

Page 71 - COPYING DATA TOTHE CARD

SYSTEM SUB-MENUThe Systemsub-menu deals with:· the uploading of an updated operating system· the uploading of new intelligent fixture personalities· t

Page 72 - •Loading from a

ERASEMemories and set-ups may be cleared by stages, e.g. scenes, chases, et.c. 'Clear Everything'leaves only the operating system and the fi

Page 73 - LOADING NEW FIXTURES

OPTIONS MENUCertain configuration options are available as detailed in thetable. 1. PressSystem. 2. Press Options.3. Scroll to the desired option and

Page 74

7114. DMX Break.Default 033. For use with DMX devices where signal elements are outside the stan-dard tolerance.15. Autocheck Edits.Default ON. Checks

Page 75 - OPTIONS MENU

NOTES ON USING MIDITo enable MIDI you must firstly setup COMMS in the SetUp menu. Note that the circuit board jumpersare set for MIDI when the Power C

Page 77 - NOTES ON USING MIDI

EXTERNAL CONNECTIONS(A) POWER SUPPLY INPUT180° 5-pin DIN, female.(B) DMX OUTPUT5-pin XLR, female.(C) AUXILIARY CONTROLINPUT25-pin sub-D, female.(D) AU

Page 78

3may be driven by the Power Cue DMX. They may also be programmed to contain pre-definedgroups of channels and subsequently during scene programming to

Page 79 - 25-pin sub-D, female

(E) RS2329-pin sub-D, male(F) MIDIMIDI in, out and through.All 180° 5-pin DIN, female75NOTE:When connecting this product to accessories and /or anothe

Page 80 - (F) MIDI

76GETTING HELPWhen you contact your dealer for help, please be ready to give the following information.• Version no.• Serial no.To access this informa

Page 81 - GETTING HELP

77Power Line 2217 West Braker LaneAustin, TX 78758, USALow voltage lighting control deskPower Cue DMXSeptember, 1996FCC Class BManufacturer's Nam

Page 82

REAR PANEL LAYOUT AND FUNCTIONSPower supply (PSU) inputThe pin connections are shown on the rear of the unit and later in this manual in the section,

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